The standard introductory film appreciation text in most college courses is called Understanding Movies by Louis Giannetti. There are lots of subtle clues that occur all the time in films that fly over the heads of most movie goers. if a character is seen with their reflection in a window or mirror also on screen, it means they are internally conflicted, or duplicitous somehow. For example, in Hitchcock movies, which side of the screen a character appears in will tell you whether they are good or bad. There is a "language" of film that many people completely miss out on, mostly because they only view movies as entertainment, and overlook the art. The Wizard of Oz is David Lynch's favorite film, and it informs a lot of his work, especially Wild at Heart and Mulholland Dr.ĭid you notice how the colors go in the order of the rainbow (the rainbow obviously being another allusion to Oz)?Īs to your bigger question about film analysis, I've taken seven different college courses (including several at a film school) and you can learn a lot by reading and talking about film with others. Now is this the kind of stuff you pick up after multiple viewings of a film, or is it something you gain through experience and constant studying on the fundamentals of film? I need some help, because i want to become more efficient at analyzing film. Now i did catch of The Wizard of Oz motif and the recurring colors as well as some flame imagery throughout the film(multiple insert shots of someone lighting a cigarette, burning car, etc.) but i just couldn't put i finger on what it all meant. I read a review after i watched the movie that pointed all these things out. I was watching a film recently(Wild at Heart to be exact) and after watching it i've realized i missed a lot of key underlining themes thorough the film, such as for a example: the use of color to represent the psychological state of the main characters thorough the film, and the use of Wizard of Oz imagery to showcase the distortion of reality & fantasy of the main characters perspectives.
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